Turning up to the penultimate race of the 1972 season, the Tyrrell team must have felt deflated.

2 weeks earlier in Monza, their No.1 driver had lost the championship to Emerson Fittipaldi and now his race car had a problem.

As Jackie Stewart’s Tyrrell 005 was readied for the practice session the big toothed drive belt located on the front of the engine broke. And while team mate, François Cevert made the most of his new 006, Jackie had to make do with an older 004.

It took the Tyrrell mechanics a session and a half to fix the 005, but they did it - and Jackie set off to claim 5th on the grid, one place higher than his team mate in the new 006.

And while the gearbox of François’ new car forced him to retire, Jackie took his to a richly deserved victory - something we’re sure would have put a smile back on the faces of each and every mechanic.

Top 3 results:
Jackie Stewart - Tyrrell-Ford [1:43:17.1]
Peter Revson - McLaren-Ford [+ 48.2]
Denny Hulme - McLaren-Ford [+ 54.6]

Track length: 2.458 miles

Race distance: 80 laps - 196.64 miles

Fastest lap: Jackie Stewart - Tyrrell-Ford [1:15.7]

Tyrrell Team 1972 Canadian Grand Prix

£10.00

Quantity

Available in either A4, A3 or A2, our photograph of the Tyrrell team is printed on professional, C Type Kodak Metallic paper.

The print has a rich metallic base giving it a reflective, 3-dimensional feel to it adding luminosity & iridescence to the high mid-tones & highlights.
Packaging

To protect our photographic prints, we carefully roll them within sheets of acid-free tissue paper and use tough, durable cardboard tubes to package and post them.

Receiving your photographic print

Printed on high-quality, C Type Kodak Metallic paper, prints will tend to hold their curl when unboxed.

While some people advocate ‘reverse rolling’ to flatten their prints, we would not recommend this as the print can be easily damaged, creased or dented.

To flatten your photographic, please follow the steps below:

Find a clear, clean space big enough to fit your print and where it can sit undisturbed for a few days while it flattens out.

Carefully unroll your print and place it face down onto your clean space. If the ends of the paper try to curl under, simply place a large, flat piece of cardboard on top to encourage your print to lay flat.

Depending on the humidity of the room, your print should begin to relax and flatten between 24 and 48hrs. Once flat, store your print flat.
While we do not sell or supply frames for our photographic prints, we have experimented with various styles for our own collection.

In our opinion, we would always recommend using a box frame to frame your print. We love the way box frames dramatise our photographs and screenprints.

You'll find A4, A3 and A2 box frames available to purchase online. The box frames we used were purchased via Amazon.

Tyrrell Team 1972 Canadian Grand Prix

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